Wednesday, November 27, 2013
Wednesday, November 20, 2013
The Avenging Eagle (Long xie shi san ying, 1978)
Next up here on Hai! Karate is the dramatic brawling flick, The Avenging Eagle! This Shaw Brothers joint features two of the studio's top male leads, the venerable Ti Lung and the late Alexander Fu Sheng. Also rounding out the cast are veteran Shaw stars Shih Szu, Ku Feng, Johnny Wang Lung-Wei and Dick Wei among others. The film is directed by Sun Chung and Ni Kuang provides the flick's screenplay.
The film opens with Black Eagle Chik Ming
Sung(Lung)wandering through a desert patch,
parched and exhausted. He falls off his steed
and is soon rescued by another stranger,
Double Sword Sleeve Cheuk Yi Fan(Sheng).
Sung is uneasy at first, but Fan's wit
and easy-going nature makes Sung drop his
guard a bit. Well, that and the three
killers who drop into the abandoned villa
they're resting in. Fan observes that
Sung not only knows them, but they know
him too. After dispatching all three, they
ride off and Sung spills the beans. He's
one of the Thirteen Eagles, the assassins
of the notorious Iron Boat Gang. The gang,
led by Yoh Xi Hung(Feng) was formed to be
ruthless killers for Hung from childhood
onward. Hung spared no rod and certainly
showed no love. Sung was one of his prized
men. But after he and other Eagles went
after a royal treasure protected by a
great hero who laid a beatdown on him
before his demise, Sung passed out in a
forest glade. He's rescued from death by
a kind man and taken into his house in a
secluded valley. There, Sung is able to
heal, and see the merits of kindness and
honor. And he also falls in love with the
man's sister, Miss Fung(Szu) who is more
than willing to reciprocate. But, Sung
returns to the gang and instead of quitting,
is forced to go on another job. A job
that entails the murder of Devil's Plight
Wang An - the same man who rescued Sung.
He tries to stop his brother assassins
to no avail, and Miss Fung is murdered,
dying in Sung's arms. This shatters him
and when Yoh Xi Hung sees this, he goes
ballistic. Sung then fights off the clan
and flees. Fan hears this and then reveals
that his family was the one slaughtered
by the Thirteen Eagles. Both men become
tenuous allies with one goal: smash the
Iron Boat Gang and kill Yoh Xi Hung!
The Avenging Eagle is a compelling
kung-fu movie for a number of reasons. For
one, it's a very good story that Ni Kuang
puts forth here. Savagery and justice
and finding redemption are juggled as
themes here. Sun Chung in the director's
chair keeps things going at a great pace,
even with one or two slow moments. This
film marks a period where he was really in
his zone with regards to action flicks,
and it also was a film where he got to
finally push the envelope with shooting
on Steadicam. Chung was regarded as Shaw
Studios' pioneer in this, and it shows up
here in the crisp wide angle views as well
as the multiple fluid action scenes. As
for the leads, this film was the third
film they had done together to that point.
But it's a treat to see Ti Lung and Fu
Sheng really stand out in this film as
true equals. Fu Sheng by this time was
a fast rising star; young and handsome,
he was a prize for Shaw. Lung was, by this
time, already a well-respected veteran
actor with several stellar roles. He
fit the role of the wandering swordsman
very well. The chemistry between them is
gripping. Ku Feng as the villainous
Yoh Xi Hung is real GREASY. And when he
busts out the golden claws for the final
battle? You can't tell me Ghostface
Killah didn't get the idea for the eagle
gauntlet he used to rock from this film.
I admit, Shih Szu as Miss Fung deserved
a little bit more fleshing out in my
opinion. But she did her job as the
doomed romantic foil. Her role leads me
to another key point about The Avenging
Eagle; Chung packed a LOT into a
flick just under 90 minutes. You won't
be wanting for good fight scenes here.
Some scenes will have you locked in,
like the scene where Fan and Sung face
off against Vulture(Lung-Wei) to turn
the tables on the gang. (By the way,
I wonder how much laughter ensued with
his makeup job. You'll see what I mean.)
Chung adds to the fight's energy with
a few freeze frames and slo-mo shots.
Not enough to be overkill, and just a
tad to add some spice.
The Avenging Eagle is without a
doubt a really good martial arts film.
And recently even more validity to that
statement came in July of this year when
there was an announcement by both The
Weinstein Company and Celestial Pictures
was made. They are joining forces to
remake two classic Shaw Brothers films
from the 1960's and 1970's and one of them
will be The Avenging Eagle. It
really isn't hard to see why; the flick
is a must see for all true fans of the
genre. It has great fight scenes. Enough
drama to tie everything together. And the
outfits are really funky. I can say that
you can't go wrong watching this flick.
RATING: 4 Dragon Punches out of 5
Thursday, November 14, 2013
Chinese Hercules(Ma tou da jue dou, 1973)
Next up for you kung fu movie fanatics here on Hai! Karate is a little number from 1973 that packs a wallop!! The film is called Chinese Hercules, starring Michael Chan Wai-Man, Yang Tze - better known as Bolo Yeung, Kong Faan, Kong Do and Gam Dai among others. Huang Ta is the director for this picture. I Kuang is the man behind the screenplay. Now, you might be a tad confused by the above images. Part of that is that this film actually has THREE different names. I'll get into that later on, though.
The movie opens with our hero Lee Hsi(Wai
Man)training hard one night. He's interrupted
by a young woman who he likes(Faan)who is a
bit concerned about his excessive training.
He tells her it's because he can't stand
being trash-talked by her brother(Do) who
studies in the same school for being an
orphan and for associating with her. They
leave the school together and are confronted
by her drunk brother, who decides to pick a
fight with Hsi. Hsi fights him off - well,
he beats the daylights out of him. Dude then
pulls out a knife and Hsi finishes him off,
killing him. Frightened and dismayed, Wei
runs off to the seaside, and smashes his
hand with a large rock vowing never to fight
again. Of course these vows have as much
life span as a Kardashian marriage. Hsi takes
a fake name and finds work on the docks. He
deals with an abusive boss, but earns the
respect of his fellow workers. He's sorely
tested to use his fighting prowess but resists,
even when beaten by the ruthless syndicate
that runs the docks. Soon dock workers who
resist are found dead, and the boss calls
in the 'Chinese Hercules', Bolo himself to
smash them. Hsi finds himself facing an
uncertain future unless he summons his vast
strength to fight the killer and face his
past, which comes back in a surprising way.
Chinese Herculeswalks that fine line
between being very compelling and not even
worth it. But it does so ably. Give credit
to Ta Huang for keeping the film moving
at a neat pace, enough so that the film
doesn't drag on. Also, he did have a decent
enough eye to work in a couple of different
angles that make some scenes pop better.
Corey Yuen is the action director here,
and he makes the fight scenes here slightly
jarring because of how violent they are.
Cats catch BAD ones here. Case in point?
One of the workers decides to go up against
the syndicate boss in his own home. After
fighting the boss, he winds up being flat
out beaten to death without any ceremony.
You even have a random trollop smoking a
cigarette with a look on her face like, 'he
aint dead YET?' Overall Yuen does infuse
a fluid and rhythmic element throughout .
Wai-Man as the hero here is solid. He gives
off a measured amount of emotion without
being melodramatic. And his fighting skills
are swift and strong. You can see his Hung
Gar skills put to good use in this flick.
As for Bolo, he gets to be the killer movie
baddie, bulging muscles and all. Now, he's
not in this movie for more than MAYBE 20
minutes. But you get all of the Bolo
sneers and flexes that he's known for in
that span of time.
So, as far as the name of the flick itself.
Well the movie was made by Hong Kong Kai
Fa Pictures, a smallish studio. They put
this film out first under the title of
A Duel In Harbor. There were a
couple of alternate titles, the most common
one being Freedom Strikes A Blow.
But soon after this flick was released,
Enter The Dragoncame out worldwide
sparking the West's kung fu craze. Bolo
was one of the memorable villains, and
when National General Pictures got the
film rights to distribute this picture,
he was the most recognizable. So they
marketed the film playing on another
B-movie trope of the 'Hercules' variety
that was popularized by those movies of
the 1960's. Hence, Chinese Hercules
complete with the cheesy tag line. If
you want a decent martial arts flick
with some crisp action that won't put
you to sleep, Chinese Hercules
is worth a go.
RATING: 3 Dragon Punches out of 5
Thursday, November 7, 2013
The Black Butterfly (Nüxia Hei Hu die, 1968)
This go-round on Hai!Karate, we cover a Shaw Brothers joint from 1968, "The Black Butterfly'! This swordplay epic stars Lisa Chiao Chiao, Yueh Hua, and Ku Feng among a full cast. Lo Wei directs and also stars in this picture.
The Black Butterfly, played by Chiao Chiao, is
actually less of a terrorizing figure than the
initial appearance of her caharacter portrays.
She's actually a Robin Hood type of character,
robbing oppressive fat cats to give money to the
poor disaster victims. By day, she's Kwan Bao
Zhu, daughter of well known swordsman Gold
Sword Kwan Yee(Tien Feng). Matters get a bit
complicated because of the appearance of Liu
Xi Xang(Hua), out to find a band of robbers
in the town. The robbers are after the Butterfly
after she got them for their gold a while before.
The local magistrate is also after the
Black Butterfly, and thinks that Drunken Beggar
Loong San Fong(Yeung Ching Hing) is the culprit.
San Fong is Bao Zhu's kung fu master, on account
of Kwan Yee's unwillingness to teach his daughter
any of his own skills because, she's a woman.
(hrm.)San Fong is also an expert who poses as
a drunk for a very good reason, explained later
in the film. And Xi Xang, who Bao Zhu likes, is
then coerced to hunt the Butterfly down by her
dad. All of this intrigue leads the Black Butterfly
into a face-off to clear her father's name and
restore order to the town.
The Black Butterfly should be a real good film.
But, truth be told, it can bore you. Part of it
may do with the fact that being a wuxia
film, that style focused more on having an
operatic feel to scenes. Another element may
be that it shares similarities to a film by
Chor Yuen, The Black Rose, three years earlier,
and that there may have been another flick
done in 1960 under the same name with Lo Wei
as director, although there's no real body of
facts to confirm the latter. Chiao Chiao does
well here, her fighting scenes conducted with
flair and a good amount of force. She was one
of the up and coming actresses Shaw was looking
to make a star in the same vein as Ivy Ling
Po and the late Linda Lin Dai. Yueh Hua
plays to the vest as the strong, young hero Xi
Xiang. A little too much. And that seems to
bring up another thing - this film was laid
out in cookie-cutter fashion. Lo Wei does have
to be commended for making this picture more
enjoyable. His work with the cinematography
lends some thrill to the film, like when
Black Butterfly skips over a lake like it was
nothing. It makes the one or two instances
where the wire work wasn't up to snuff easily
overlooked. (Side note: look out for Sammo
Hung in a low-tier role in this picture.)
The Black Butterfly is one flick that might
just be reserved for the real buffs of martial
arts epics and not for the casual viewers
out there; fair but not too great.
Rating: 2.5 Dragon Punches out of 5
Saturday, November 2, 2013
The Executioner (Chokugeki! Jigoku-ken!, 1974)
Hai!Karate roars back again with another flick for your viewing pleasure. This time we take it to Tokyo, Japan with a flick from 1974, The Executioner! This film from Toei stars the brawling legend himself, Sonny Chiba! Also in the cast are Eiji Go, Yutaka Nakajima, Makoto Sato and Yasuaki Kurata. Teruo Ishii is in the director's chair.
The Executionerstarts out with the
former police commissioner of Tokyo, Mr.
Arashiyama(Ryo Ikebe) and his niece, Emi
(Nakajima)set out to create a team to
fight crime. A team of highly skilled
criminals. The trio is comprised of Ryuichi
Koga(Chiba),a ninja turned private eye and
enforcer for hire, Takeshi Hayabusa(Sato),
a former police detective turned assassin
and Ichiro Sakura(Go), a karate expert and
top-notch pervert supreme. These three are
then tasked to take down a Yakuza big by
the name of Mario Mizuhara who is set to
enlarge his drug empire outside of Japan.
Pretty simple, yes? But that's the only
simple thing about this flick. As the three
meet after Koga breaks Sakura out of a
prison death row, it turns out Arashiyama
resigned due to a botched bust of a drug
mule for Mizuhara that left six cops dead.
And their supervisor, Hayabusa, fired. All
together, the three are in this job until
the end, with a little help from Kurata.
The entire picture is a barrel of utter
batshit comedy, violence and action. I'll
say it again: BATSHIT. Because in some
instances that just fits. The first time I
saw this flick I was thrown for a loop 10
minutes in. To start with, Ryuichi's ninja
training and then his rebellion against his
grandfather over joint dislocation? An ill
sequence due in no small part to Chiba's
excellent skill, being a 4th dan master
of ninjutsu. It gets into the violent very
quickly with Hayabusa's first appearance
though. First off, dude enters a bedroom
and interrupts a crime boss basically deep
in a game of hide-the-salami with a young
lady. After the boss pays him six million
yen NOT to kill him, three more than his
original contract, Hayabusa murders him
anyway. And then proceeds to smash the
dead guy's woman RIGHT NEXT TO HIS BODY.
He's also got this crazy, Richard Widmark
laugh that makes you laugh with him and
then stop because you realize how wild he
really is. As for Sakura, he's basically
the perverted comedy relief. His facial
expressions alone make him look like he'd
be the type to get thrown out of a women's
dressing room with a mirror in his hand.
The chemistry is a solid one, and that's
what keeps you interested in the midst of
all the violence. And it wouldn't be a
Sonny Chiba flick without it. There are a
couple of moments where it is not for the
squeamish. And one or two moments where
it just gets out of control. (Look at how
the trio go after the Yakuza henchmen IN
THEIR BEDROOMS.) There's also a great deal
of sex and nudity. This is the time where
Japanese cinema wasn't just crossing the
line as far as that went, but literally
tearing it to shreds. The "pinky' era was
firmly built from the mid 1970's.
Teruo Ishii played a hand in this matter.
It's been said that Ishii hated working on
martial arts movies, preferring to work
on films with dark themes and a bit of
erotica involved as well. Some refer to
him as the father of the ero-guro
style, or 'erotic-grotesque' in Japanese
cinema during this time period. There are
flashes of that in The Executioner
but nothing on par with his other films.
The action is frantic but magnetic. It's
a plus to see ninjutsu and karate at work
on the same side in this film. A lot of the
fight scene choreography is due in part
to Chiba and the Japan Action Club which
he founded in 1970 for stunt actors. (A
lil bit of trivia for you - the younger
Ryuichi Koga we see in the beginning of
the flick? None other than Hiroyuki Sanada.
This was his first motion picture role.)
Yasuaki Kurata also got to do some of the
choreography, which made for another good
change of pace as far as style was involved;
he involved more of a back and forth whereas
with Chiba there was sheer force and brutal
conclusions. All in all, the film makes
for some good entertainment even if there's
moments that make you go 'WTF'??(Like the
one scene with the lone brother and his
lady - they didn't have to do him like
that.)It got enough success to have a
sequel quickly filmed and released so that
says something. If you want some real
knockdown drag out martial arts action
Chiba style one afternoon, check out
The Executioner. And mind the
splatter.
Rating: 4 Dragon Punches out of 5