Sunday, October 5, 2014

Eight Escorts(Ba Jue, 1979)



What's going on fight film fans? We've got another movie up for review here on Hai! Karate for you, this one starring veterans Ling Yun and Dorian Tan Tao Liang - Eight Escorts!!! They lead a fairly star-studded cast that features Lily Li-Li, Danny Lee, AND Michael Chan Wai Man. Now in addition to that, you've got Pao Hsueh-Li as director with I Kuang on the screenplay. You'd think this would make for a bang-up film right? Read on, dear reader, read on...


Eight Escorts begins with a rather lengthy credits scene - no doubt inspired by the Shaw Studios theme of elaborate movie intros that was a standard during the late '70s and 1980's. We then find Miss Wu(Hsu Feng) in the possession of a batch of treasure she recovered from her late brother's convoy that she needs to be protected on the way to Wuiyang. To this end, she enlists the help of Chin Kai Tai(Yun) and other fighters to protect the treasure from thieves. One masked bandit in particular with serious martial arts skill. Kai Tai hires seven other men, but a heavy air of suspicion grows - especially amongst them all. Who is the masked bandit? What is the secret Kai Tai has been keeping?




Okay, I'll just come right out with it: Eight Escorts is CONFUSING AS HELL on the first watch. The plot is convoluted, and you need to pay close attention. Part of the problem might be based on the version currently available as far as the dub sure, but you can't enjoy the flick as much if you don't know what's going on. It seems like they wanted to really focus on the action from all of the stars. It's a shame really. I found myself still a bit lost about a half hour in on first viewing.


It's intriguing that the film company in question managed to get all of this talent, mainly recognizable ones from Shaw here in this flick. But it is somewhat symbolic of the one-offs that were prevalent in martial arts cinema at that time. Ling Yun is his old charismatic self here, calm and assured in battle. Lily Li-Li gets down with some fights, and even shows off a more acrobatic side early on. Tan Tao Liang lives up to his 'leg fighter' legacy but in spotty fashion. Chan Wai Man gets some screen time but more towards the middle. But overall, Eight Escorts is a jumble. I can't really claim it as a memorable flick. For fans of the genre, it's worth a view or two at most but the value won't get you more than that.

RATING: 2 OUT OF 5 DRAGON PUNCHES

Friday, September 12, 2014

Sleeping Fist (Shui Quan Guai Zhao, 1979)




What's going on folks!! Welcome back to Hai! Karate!! The next film we're gonna take a look at is a beauty from the career of the legendary Simon Yuen, Sleeping Fist! This film comes to us out of the East Asia (H.K.) Film Company, a small outfit that was only around to make 7 pictures. The flick also stars Leung Kar-Yan, Wong Yat-Lung and Eddie Ko Hung.


Sleeping Fist starts out with a rambunctious opening credits scene beginning with Old Fox (Yuen) dozing off before bruising some would-be attackers along with the other two characters showing off their skills. We get to meet one of them as we exit the credits and see The Kid (Yat-Lung)basically steal some dumplings and as he's chased by the baker, steal some money in the process while dodging blows in a madcap fashion. Yes, he's called The Kid. No other name. More on that later. So we follow The Kid as he enters a tavern to eat. Soon enough though he gets accosted by a local thug. The thug and his goons look to wreak havoc but are confronted by the constable Chin Ta Khan(Kar-Yan). Ta Khan makes short work of the rogues but is hurt in the process, bleeding from an internal wound. Seems he's been on the hunt for their boss. The Kid helps him to a safe haven and they become fast friends, even helping out a woman(Au-Yeung Ling-Lung)from being kidnapped by pimps.



Of course, these fights lead them to conflict with the gangs' boss, who runs the Shang Wei school. The Kid's brashness and Ta Khan's mission of justice are irritating, so the boss enlists an Eagle Claw master(Ko Hung) to eliminate them. Just when you think the duo may get theirs in a run-down temple, up pops Old Fox who comes to their aid. He then agrees to take in Ta Khan and The kid as his pupils. The Kid isn't so convinced of the old master's skills until another brawl and so the trio train hard. They confront the Shang Wei school and find themselves locked in battle with the Eagle Claw master once again...





Okay, the nitty-gritty on Sleeping Fist is this: it's an entertaining film if you're just looking for knock-down action. The director, Teddy Yip Wing-Cho helped out a LOT in this regard; he had directed strong entries in the genre such as The Blade Spares None & The Eunuch years before in a bevy of some forgettable pictures. There's a fight scene about every minute and a half in this movie, which works with the slapstick elements in some cases. Now there are other flaws. For one, you mean to tell me every time these cats go to a tavern they a)find the bad guys just hanging out there and b)get into a fight? Mind you they travel from one town to the other. How does that happen? Also, bear in mind that Old Fox doesn't show up until THIRTY MINUTES INTO THE MOVIE. Now the fight scenes make up for that, as well as the pairing of The Kid and Ta Khan. Which is just as well because The Kid can grate on you after a bit. Don't get me wrong, Yat-Leung has charisma and an ability to bend his body like a human Slinky. But the English dub does make him a bit insufferable. Leung Kar-Yan is great here as a vigilant policeman who adapts the Sleeping Fist well within his skills. Even if he doesn't EVEN HAVE A WARRANT to arrest anyone. He kicks ass emphatically throughout the film even if we never peep how he got that wound earlier on. Simon Yuen as Old Fox aka another version of Beggar So does good here. There's a little bit more emotional shading in this than in later roles, which would only be for the next two years sadly. He does pull a nice bit using The Kid as his proxy in one fight. The rest is comedy peppered with 'GODDAMMIT' every couple of lines. The plot is bland and obviously the writer didn't really put too much into the script, i.e. the supposed romance between The Girl and Ta Khan. An even better example? 'The Girl' not having a NAME. Add some pissing jokes and music cues from the Airport soundtrack and you've got a flick. But I'd still recommend Sleeping Fist because it is a bit of fun once you get past all the flaws.

RATING: 3 OF 5 DRAGON PUNCHES

Saturday, September 6, 2014

King Eagle (Ying Wang, 1971)



Hello you fight film fans! This next film we're going to cover on Hai! Karate is one of the great Chang Cheh's lesser-known films, King Eagle!! The film stars Shaw Studios icons Ti Lung and Li Ching as the leads, with Cheung Pooi-Saan and Cheung Miu as veteran role players in the cast. This film is interesting, so let's get to it!


King Eagle starts out in a different way than a good deal of pictures from Shaw Studios. We open with the head of the Tien Yi Tong clan is betrayed by 1st Chief Hung Sing Tien(Pooi Saan). Sing Tien even takes out his own brother in the attack. This goes throughout the opening credits, keeping you squarely riveted. Sing Tien is aided by his desired lover and clan member An Bing Er(Ching)in the fight. (Side note: Bruce Tong plays the brother who gets dispatched - he'd ride these roles into a bigger status as a solid actor for Shaw as the 70's rolled on.)One man manages to escape however, and in doing so takes the golden marker from the late clan leader, hoping to get that symbol of the chain of command to other loyal members. But he gets to a river and finds the wandering swordsman King Eagle Jin Fei(Lung) who at first doesn't even want to get mixed up in it when he's begged to take the marker to the clan. Sing Tien however isn't so sure about Jin Fei staying out of it, so he does what melodramatic villains do: he hires two killers to take Jin Fel out. This is also due to the fact that Jin Fei is well known for being a master swordsman in the land.



Jin Fei goes to town to meet his close friend, and falls into the trap of the hired killers only to be saved by An Yuk Lin, the older sister of Bing Er. Now if she looks familiar...it's Li Ching playing both roles! Yuk Lin is far more virtuous and heroic than her sister, and so she's shocked to find that the chief of her clan was murdered by her and Sing Tien. She disbelieves at first until she's attacked and Jin Fei rescues her. They wind up falling for each other. This romance does have clouds on the horizon however, as Sing Tien and Bing Er team up with Wan Bau Ha(Miu) to wipe Jin Fei out once and for all!! And so they meet for the final battle...




King Eagle is a different kind of Chang Cheh flick. This was his 11th for Shaw, and it came after such triumphs like The One-Armed Swordsman for example. The thing with King Eagle is that there's more focus on the female leads played by Li Ching. An award winning actress by this point, Ching handles the dual roles of Yuk Lin and Bing Er to perfection. They are each their own woman, their own warrior. She takes care to give them life and Ti Lung responds very well to both with his emoting. Lung at this point was fast becoming one of Shaw's great male leads and his stoic performance carries great heft. Cheh's direction is notable for the fact that Li Ching's dual roles were shown with flair and attention and not treated as backdrop like his other films. Also, while there is some bloodshed to be found(Jin Fei's spearing of a villain while he's in midair is startling), it's less than what you'd get in one of his later films. The story is deliberate to almost being too slow but put together well with the fight scenes, even if they're quick. All in all, check out King Eagle for a nice little wuxia action if you're looking for something to watch.

RATING: 3 of 5 DRAGON PUNCHES

Friday, August 15, 2014

The Flying Guillotine (Xue di zhi, 1975)




What's happening?!! On this edition of Hai!Karate, we've got a veritable classic in the house for you to be schooled on. That classic is none other than The Flying Guillotine!!! This entry from the Shaw Studios features one of their greatest stars, Chen Kuan Tai. Co-starring veterans Ku Feng, Frankie Wei-Hung, Norman Chu Siu-Keung and a young Wong Yu, this film is directed by Ho Meng Hua with I Kuang on the screenplay tip.


The Flying Guillotine begins in the reign of the Ching Dynasty in China. Emperor Yung Chung(Kong Yeung) despises the Han people. So much so that he's issued a decree demanding death to anyone who opposes him. Two senior officials who intervene on behalf of the Han people are soon marked for death. Emperor Chung charges chief Xin Kang(Feng) with their executions, but not to arouse suspicion. Xin Kang plots and schemes until a child's game gives him the idea for a perfect weapon - the flying guillotine! Xin Kang demonstrates how the guillotine can be used to kill from a great distance. Emperor Chung then tasks him to create a special force of killers to train and use this weapon for his orders. Xin Kang gets together 12 men for this force, and soon his prized pupils turn out to be Xu Shangkun(Wei-Hung) and Ma Teng (Kuan Tai). Shangkun secretly resents Ma Teng all while trying to get in good with Xin Kang. Now in this mix, a fellow assassin Xie Tianfu (Yu)begins to question why the emperor would need such killing machines to keep traitors in line when no one dares oppose him? Ma Teng soon finds himself asking the same questions, wondering about the emperor's tyranny.




Those questions grow louder as Ma Teng begins to see just how corrupt and merciless the emperor really is. His conscience eats at him, and his fears aren't helped by Xie Tianfu's growing status of suspicion and Shangkun's own malicious plots. Ma Teng makes the decision to follow his conscience and defy the emperor; but that decision means Shangkun and the other Flying Guillotines are soon hunting him down!




The Flying Guillotine is one of Shaw Studios' best films of the 1970's without question. I mean, you're talking about a film that gets referenced heavily to this day. Ask the Wu-Tang Clan. And it is so without many fighting scenes involved in the picture. This doesn't mean that the violence is limited. Neither man nor beast is spared from the weapon's wrath; there's a kill count of TWENTY-FIVE here. All in particularly gory fashion to make you get the chills. The film packs plenty of action and suspense and rolls in a way that's compelling. Chen Kuan Tai was in his prime with the studio here, and usually he played the stoic and sometimes brash hero in his roles. Here, he gets to display a tremendous amount of range as Ma Teng, loyal to the empire. Unquestioning. But his morality comes into play, especially when it comes to Xie Tianfu and his ultimate fate. Even as he's on the run and encounters a performer(Lau Ng-Kei)who he eventually marries, the emotional complexity never seems to waver. And it adds to the richness of this film. Ku Feng's own role lets him show his versatility from the obedient to the merciless. Frankie Wei-Hung is at his smarmy best here, playing Shangkun with all the utter GREASINESS he can muster. You really find yourself rooting for his rat bastid ass to get his 20 minutes into the flick. As for Wong Yu, this was one of his more early standout roles. He had come to be a big name thanks to his turn as the lead in The Spiritual Boxer, Shaw's first real 'kung fu comedy'.(Side note: his first ever role was in Deadly Buddhist Raiders, three years prior.) The Flying Guillotine did so well that it not only guaranteed a sequel the next year, but it led to Jimmy Wang Yu making his cult classic Master Of The Flying Guillotine that same year and a subsequent in-house knock-off, The Dragon Missile. For all those lovers of martial arts films, The Flying Guillotine is a must-see and if you have seen it, worth it's repeat value.



RATING: 5 OF 5 DRAGON PUNCHES

Thursday, August 7, 2014

The Bloody Fight (Xue Dou, 1972)



Hello fight film fans!! We've got a rare one for you here at Hai! Karate: The Bloody Fight!!! This flick is from 1972 and comes from the little-known Guangming Film Company. The Bloody Fight stars Pai Ying, Tang Ching, Goo Man Chung, Alan Tang, Ingrid Hu and Pawarna Chanajit. In the director's chair for this one is Ng Tan.

THe Bloody Fight begins somewhere in the hills of Northern China. There's a Japanese fighter by the name of Chen Chang(Ying) who is going around challenging kung-fu masters and dispatching them in merciless fashion. Although that's not totally clear at first; when the film gets out of the credits sequence, you see a Japanese fighter lounging in the grass after slaying a couple of people. How do we know this? 'Cause there's bodies in the distance when he gets into it with a Thai boxer and Ka Wa(Chanajit). He turns out to be one of a group of fighters, with Chen Chang at the head of a group that also has his two lieutenants, Shen Ta Kuei and Yung Yen Nan. If you recognize these two, your eyes aren't fooling you; Ta Kuei is played by the great Chen Kuan Tai and Yen Nan is played by veteran actor Eddy Ko. They are the advance group that arrive at the school of another master. He is thengiven a death match challenge by Chen Chang. They have a spirited battle that takes them throughout the hills until Chang delivers the death blow.


Master Shi, on his deathbed, asks Shi Yang (Hu)not to seek revenge but instead to go to her uncle, another kung fu master by the name of Master Shi(Cheung). Master Shi is hard at work training visiting Thai boxers, one of whom fought earlier in the first scenes. Shi gets a visit from Chen Chang along with Ta Kuei and Yen Nang and they immediately challenge the Thai boxers. This fight comes to the attention of Chen Wa(Tang) who gets taken away from an arm-wrestling match(yeah you read that right)with a local drunkard, Chi San Hau(Ching). San Hau and others go to watch the match. In short order, the Thai boxers get lumped up and one gets his head cracked like an egg in brutal form. Chang and Shi take their fight off the school grounds. BAD MOVE. 'Cause Chang gets wild with kick after kick, until that final snap collision in air.



Master Shi lies unconscious, and the beating he takes stirs something in San Hau. See, Chi San Hau behind all that drunkenness is in fact a highly skilled boxer. He challenges the Japanese in his local tavern. They take him up on it and fight in the mountains. San Hau takes out Ta Kuei but gets snuffed by Chang when he goes through a dizzy spell. Meanwhile, Ka Wa's brother dies and Master Shi awakens. Chen Wa, his son, vows with him that the Japanese will never take over. They then set a plan of action with Shi Yang, Ka Wa and Chen Wa training to defeat Chang and the other Japanese fighters.






Shi Yang has something else on her mind. She keeps thinking about her father throwing out another prized pupil of his years earlier. One guess who that is. And so, she sets out to find him during their training for the ultimate bloody fight to stop the Japanese oppression once and for all!!






The Bloody Fight DOES live up to its name, if only towards the end. Overall, the film is regarded as an old-school classic. It's not a stinker, but it's also not fantastic as the Crash Masters release info would have you believe. For one thing, the movie starts out a bit jumbled. Ka Wa and her brother just get into the fray without no lead-in convo outside of a few words. Now, there is a theory out there that this film was made in response to the overwhelming success of the Bruce Lee flick Fist of Fury, released not only the same year, but no less than THREE WEEKS before this film was released. I can see that for a couple of reasons. One being that the Guangming Film Company was tiny at best and wanted to make some waves. This would explain why this was their next to last film ever made. Out of TEN films total. It's also interesting in how this film brought together talent both on the rise and established from Shaw Studios. Tang Ching was a couple of years removed from his matinee idol status with Shaw in doing this picture. Chen Kuan Tai was on the verge of breaking out as one of their major bankable stars of the 1970's. And Goo Man Cheung had done many films with Shaw.(Side note: Cheung would follow this picture up with his turn in the iconic King Boxer. That film was released TWO weeks later than this one.)Lastly, the anti-Japanese sentiment was rising as a theme in Hong Kong cinema more openly now. Never mind that Japanese stars were filming there and vice versa. Pai Ying does okay here as the snarling and cool villain. Alan Tang in a team-up with Tang Ching is also a bit of foreshadowing that I Kuang and Shaw Studios would observe and implement in at least one of their later flicks in terms of style. As for Ingrid Hu, her fighting is adequate. It's good to note that she and Parwarna get a good deal of mixed screen time especially on the action tip. For Parwarna it's also interesting that this is a heavy action role for her; she was more of a vivacious and beautiful lead acting figure as we featured in another post here. That said, she does get her share of lumps. The fight scenes are crisp even when they're sprawling all over the set. They make up for a choppy plot. If you want to catch the classic in some downtime, The Bloody Fight is available online and in DVD but you'll have to hunt for it.

RATING: 2 OF 5 DRAGON PUNCHES