Jumping Ash (Tiaohui, 1976)

What goes on fight film fans?!! Hai! Karate returns with one of the more critical films of the genre for you today! That film? Jumping Ash, starring martial arts legends like Josephine Siao, Chan Sing and Michael Chan Wai Man! We'll get more into the meat of why this film was so important in a few...

Jumping Ash begins with a shot overlooking the city of Amsterdam, on a clear morning late in the spring. A news-like blurb tells us that there's been several deaths that have taken place within the Chinatown district. We see Smiling Tiger(Sing)and a cohort travel in a car speaking briefly about it before pulling up to a windmill house. Because, Amsterdam. The next scenes introduce us to a mysterious dude(Chan Wai Man)who gets off a boat, hops the fence and gets a lift on a tandem bike from a dude who greets him in code. After their scenic ride through the streets of Amsterdam(complete with the 'killer' haggling with a prostitute in a window), we see the dude meet up with Smiling Tiger in a gambling parlor looking for someone. When he finds who he's looking for, that person winds up hanging from the windmill.(Gotta wonder how that went over with the tourist board.)

We then cut back to Kowloon and see Detective Callan Leone(Ga Lun) out conducting a drug raid. When the raid doesn't go well, he takes a breather to hit a local nightspot and see his girlfriend, Pui Shan(Siao Siao)sing. But he's not the only one checking for her - the killer is stalking her as well. Leong then gets called into the precinct to take care of both a homicide and to verify if it is linked to a teeming war between two drug lords - Smiling Tiger and Tung(Nick Kam Wai-Fei). The ensuing drama boils to a fever pitch on the streets of Hong Kong with one veritable conclusion...



Jumping Ash is significant because it is the embodiment of a couple of 'firsts'. For one, this is not only the first film for director Po-Chi Leung, but it's also the first(and only) film that the great Josephine Siao directed. She also co-wrote the film, which was a bit of a remarkable thing in Hong Kong cinema at this stage because of the more chauvinistic elements still at play. Their combined efforts make the film a real gripping dramatic piece. There's a good mood set by the cinematography, with some shots done to really bring home the tense scenes (the bathroom scene above being one of them.) It's more sleek than previous crime drama efforts. The Amsterdam setting isn't new; a few Hong Kong pictures would take place in the Dutch city before, attesting to the cultural impact they had in the West. It's actually a good place-setting move to begin there and center all action within Hong Kong. There's a nice balance of drama and comedy throughout to keep things entertaining. Okay. I know you want to know, what about the action? Well, Chan Wai Man does well as a cold killer in this picture. So much so that there will be a few spots where he just gets eerie. In contrast, Chan Sing as Smiling Tiger is ruthless, but with a bit more charm. Surprising since the dude is literally jumping all over the place all swollen, slashing and generally beating the brakes off cats. You forget that he's a villain as well. Josephine Siao has a bit role here, but she makes the most of her scenes. Ga Lun as the tough-minded cop is decent here. He's more of an anchor figure, charismatic enough so that things don't get TOO far off course.

However, that doesn't mean there's not any kooky elements at work here. For one, there's a reason Smiling Tiger walks around with a gigantic stuffed teddy bear. I had to admit, when I saw the balding pate of Chan Sing carrying that around I was like, 'what the hell?' Also, when Detective Leong does make an interesting ally later on in the picture, the ruse to get that person to safety is rather... offbeat. Also, it's wild that they never really bothered to give Chan Wai Man's character a name.

Jumping Ash wound up being the third highest grossing film in Hong Kong - not bad for a film directed by one of their most prominent actresses & a TV director. (Side note: another actor who'd go on to prominence, Phillip Chan, also worked on the script.) The movie would be hailed for introducing a new look for films done in the area, and break open the doors for others looking to make pictures in that style. John Woo being a prime example. Jumping Ash would also bolster Josephine Siao's transition into a more multi-dimensional figure in Asian cinema; her 'Plain Jane' character would be born the following year and heighten her fame. Jumping Ash is a cool film to check out, and worth the time for any fan of the genre.

RATING: 3.5 OF 5 DRAGON PUNCHES

Hero Of Shanghai (Lay Out,1977)

Happy New Year to you, Hai!Karate fans! It's been a minute, but rest assured the time has been well spent looking at some gems - and some dirt rocks - of martial arts films just so you can get the scoop on what to watch and what to avoid to be a martial arts movie master! This first entry of the new year is dedicated to a somewhat obscure flick starring the flawless fighting actor Chen Kuan Tai, Hero Of Shanghai! This film stands out in the actor's career for a couple of reasons we'll get into later on. Hero Of Shanghai is a slight 'who's who' array of actors you may know from other movies - Kam Kong, Woo Gam, Shut Chung Tin and Cheng Kang-Yeh the more recognizable. The well known Pao Hsueh-Li is in the director's chair for this film for Shen Chuen Film Limited.

The film opens with Hsueh Ao-Lin(Kuan Tai) arriving in Shanghai, circa 1921. He's looking a man named Fong. He stumbles across a rickshaw driver(Kang-Yeh) who offers him a quick lift. Just as he does, they both see a man attacked in the street and killed. The driver takes Ao-Lin to a restaurant where he asks about Fong. But he's confronted by an associate of Fong who shows him a dead body - Fong's. After a speedy fight, the driver(only called 'Loser' here - why I don't know)is beaten and brought to the restaurant where he vouches for Ao-Lin. Ao-Lin then swears to get revenge and reveals that he and Fong were comrades.


Ao-Lin attends the funeral of Fong, and sees each member of the business underground and other fighters in attendance. He then begins to investigate, starting with the known pugilist Yu Tu Tai(Cheung Paang). In his search, Ao-Lin learns of another important figure, Miss Nine(Sally Chen). She is cloaked in intrigue - intrigue that thickens as bosses start being murdered left and right. Add to that another motive for finding Fong's killer being that he might have had info on Japanese agents throughout Shanghai. Ao-Lin presses on, despite double-crosses and other twists. Can he get his revenge?




Hero Of Shanghai, when it was first released in 1977, was actually the first film that Chen Kuan Tai made after an impressive string of films for Shaw Studios that made him a legit actor in Asian cinema. As such, it seems that the company made sure to bank on his matinee success with this picture. (Side note: Lay Out was the alternate title this film was marketed overseas under. No explanation as to why.)Kuan Tai does the job as a staunch fighter who navigates the Shanghai crime world. Even his outfit change early in the film lends to this persona. He acquits himself nicely with the fighting scenes he does have here. The main thing with Hero Of Shanghai is, said fighting scenes aren't numerous. In fact, a good part of the film is devoted to weaving the plot together. It may not appeal to those who want high levels of action as the film can get into 'Clue' like levels of mystery. Woo Gam does add a bit of liveliness here, no doubt a continuation of her previous roles as erotic temptress for certain Shaw pictures. Shut Chung Tin holds court as the noble second boss to Fong. Sally Chen as Miss Nine is just okay. Even her dramatic reveal doesn't really do much towards the end.

That's not to say Hero Of Shanghai overall isn't worth your time. The fight scenes that are enclosed are decent, and peppered with a couple of 'oh s--t' moments. Kuan Tai would go from this film to direct and star in the FIRST Iron Monkey film later that year. So this is an interesting flick to take in to see his dramatic growth. It's available on DVD and online.

RATING: 2.5 OF 5 DRAGON PUNCHES

Showdown At The Equator (Guo Jiang Long Du Chuang Hu Xue, 1978)

What's happening fight film fans? Hai! Karate returns with an obscure flick from the bins at your local supermarket, fresh and reviewed just for you! Today's flick? Showdown At The Equator, starring Lo Lieh and Nora Miao!! The cast also includes veteran actors like Bruce Leung Siu-Leung, Fung Ngai and Tong Tin-Hei. This flick was made by the Dragon Nation Film Company(catchy title) and directed by Gwan Jing-Leung, a journeyman actor and action director. Let's get down to the gritty of this picture...

Showdown At The Equator starts out with a heavy credit montage. If the theme song seems familiar, it is - it's Issac Hayes' hit song 'Run Fay Run' from the soundtrack to his movie Three Tough Guys. And once more, we have a kung-fu flick that liberally 'borrows' soul and R&B classics to supplement the score. We get past that and find ourselves witnessing a guy getting thoroughly beat down by a gang before being iced. We then jump to see Chen Chung(Yiu Ping)being told about the incident by his daughter,Chen Wan(Miao) in their restaurant. Soon after, a gang comes in to demand 'protection money.' When Chung refuses, the gang demolishes the restaurant and beats him down in the process. They get help from a drunkard, Yu Wang(Larry Lee Gam-Kwan)who they offer a job to. Now to this point, we don't know WHERE the hell this place is. From the looks of things seen later on, it just might be somewhere in Thailand. But we then get to meet Li Shung(Leung Siu-Leung), a regular dude who shares his home with his mom, has some real fighting skill...and works as an undercover informant in the gang for the police. It turns out that Yu Wang has these money stacks that he just gives away if he's not getting into fights. He eventually links up with the gang, which breaks Chen Wan's heart since she has grown fond of him. BUT...he's got his own reason for joining. And that reason is Steven(Lieh) who runs the gang with a critical eye. All of this leads to the climactic(meh)showdown that will settle things once and for all...

Showdown At The Equator...is not a good film. Yeah, there's a bunch of fighting. Fighting that can get into video-game mode at times(if you see it, you'll be perplexed by the cast-off European beer hall brawlers near the end of the film that Yu Wang has to face). Nora Miao is essentially a pretty face here that helps move the flick along in parts. Lo Lieh is in this movie sparingly as well, and while he's got that 70's movie villain swag down to the double knit suits, it's just not enough. Add in footage of a soccer match that no one expected(I mean, you can tell they jumped a turnstile), an uneven plot and you've got a poor movie. When your film only rocks with two R&B hits...when you've got to believe that a drunk can just pop up with stacks of dough and no one asks where or how... when most of the baddies are either bald or are really bad at going to the dentist... I can only really recommend this for kung-fu film devotees who won't mind 90 minutes of meh. True story.

RATING: 1 OUT OF 5 DRAGON PUNCHES *special shoutout to tarstarkas.net for imagery!!*

In Memoriam: Ken Takakura

Photo Credit: Eiga.com

We're saddened to report that the great Ken Takakura, a legend in Japanese cinema and later on across the globe, has passed away. He was 83. Takakura actually made his transition on November 10th, but news was not released until after a private service was held.

The Yakuza, 1974 Ken Takakura was born Goichi Oda in the city of Fukuoka, Japan on February 16th, 1931. After graduating from Meiji University in 1955, he had gone to Toei Studios to look about a job in their offices. On a whim, he decided to audition while visiting a set. He caught on with audiences, with roles that placed him as the stoic and honest outsider who fought on behalf of the oppressed. This would see him sometimes appear in no less than 5 films a year. As time went on, he became a co-star in films with the iconic singer and actress Misora Hibari as well as a defining actor of the ninkyo eiga genre. Ninkyo translates to, 'chivalrous'. In these kinds of roles, the main character portrays a sense of deep honor in fighting against the powerful. Even at the expense of his chastity and his life. The hallmark of these pictures can be seen in their posters with Takakura often showing his tattooed back, his kimono ripped away due to a fierce battle. And he'd usually be shielding a woman he was honor bound to protect as well, whether he was romantically involved with or not. This was a new display of masculinity that appealed to all in these sword epics. Takakura would find super-stardom in one particular movie: Abashiri Prison, released in 1965.

Walls of Abashiri Prison, 1965

This movie's success spawned more sequels and firmly secured Takakura's place as one the nation's greats. As the ninkyo eiga genre got less popular, he wound up being in more yakuza films as well as other dramas. This saw him wind up being a main attraction in the Hollywood film The Yakuza starring Robert Mitchum. Takakura also starred in The Bullet Train with Sonny Chiba which would inspire the Keanu Reeves hit film Speed as well as become the first actor to play the iconic manga anti-hero Golgo 13. And when he was dubbed 'the Japanese Clint Eastwood' it was only right that ONE film wound up capitalizing on it, Drifting Avenger. The 1968 film stands out for Takakura being the son of a former samurai settling with his family in the West and taking on bandit gunmen. It also is notable for being the 1st Japanese film shot in Australia.

Drifting Avenger, 1968

Takakura would continue to have a storied career, even being in Antarctica, Japan's highest-ever grossing motion picture in 1983 and then Hollywood came calling once more. for his skills. He'd become a presence in the Ridley Scott directed hit Black Rain in 1989 starring Michael Douglas, and he got to take on a rare comedic role as Tom Selleck's manager in Mr. Baseball. Takakura would act sporadically from the mid 1990's onward, and was apparently preparing for another role while in the hospital. For his work, he recieved the Order of Culture, Japan's greatest arts honor. Many of Takakura's films are now available to the public via DVD. I strongly suggest you carve out a little time and snag one or two to watch. Thank you, Mr. Takakura.

Trailer for Red Peony Gambler

Blind Fury (1989)

Hai! Karate fans, what's good?! We're back with another action-packed review for you. This go-round, we're checking out another underground classic from that bygone era where wave pants, New Coke and MC Hammer reigned supreme. That's right, the late 1980's! 1989 to be exact. On tap is 'Blind Fury', starring acting legend Rutger Hauer! Also filling out the cast is Terry O'Quinn (of later "LOST" television fame), Brandon Call, Randall "Tex" Cobb, Noble Willingham and Nick Cassavetes. Yup, real '80's vibe here. And in the director's chair is acclaimed Australian director Philip Noyce. So let's get to the gettin'...

Blind Fury starts out in the midst of a battle scene unfolding in the Vietnamese jungle. We see a helicopter crash, and a man crawling out with extensive damage to his face and eyes, obviously blinded. He is then rescued and taken to a village. This is Nick Parker(Hauer), and as he recovers, the villagers look at him with a mix of humor and curiosity to the point where one of them begins to teach him the art of swordfighting. Blind swordfighting. With a sword that looks like a full-fledged Japanese katana. Yeah. We then get a jump forward to see Nick walking along the highway somewhere in the Everglades, pausing only to avoid an alligator and then entering a roadhouse bistro where he lays down a whippin' on some thugs. Effortlessly at that with a slapstick edge.

We then get transported to Reno, Nevada and the sight of Frank Devereaux(O'Quinn)getting an upside-down view of the Reno nightlife thanks to Boss MacCready(Willingham) and his goons led by the Pike Brothers, Lyle(Cassavetes) and Tector(Rick OVerton) and the main man, Slag(Cobb). Devereaux is a degenerate gambler at this time, but he's also a chemist by trade. MacCready sets him up so that he's in over his head in debt. Which then puts him in position to pay it off one way: making high quality designer drugs. There's another bit of incentive: if Frank doesn't do it, his son Billy(McCall) and former wife will be killed. Where do they live? Florida. And so Nick, on a mission to look up his old war buddy, drops in on Billy and his mom. Riiiiiiight before the thugs come by.

Nick fights them off but it's too late to save Billy's mom. He then sets off to Reno with Billy in tow, who is NOT having any of it. During the trip, they bond and Nick has to use his uncanny skills to protect him. They get to Reno and find out where Frank is being held. It's up to Nick to take on MacCready and the whole lot to save Frank and Billy.

Blind Fury is an intriguing film to say the least. It's a great testament to how the '80's were dominated by action films like these with a solitary hero who comes to the rescue of others and/or fights for justice. Blind Fury stands out because of the way it blends humor into the entire story. I mean, when you have an exchange like THIS, c'mon: MacCready: "Dammit Ed, take care of him! Get me Bruce Lee!" Ed: "But...Bruce Lee's dead." MacCready: "Then get his brother!!!" Comedic elements aside, this was another move by Hollywood to cash in on either the interpretation or integration of classics from Asian cinema as influences. For Blind Fury, this influence came from the Japanese blind masseuse/wandering swordsman Zatoichi, who spawned a multitude of movies and a few television series. Specifically, Zatoichi Challenged, the 17th film in the series that starred Shintaro Katsu. This was thanks to an actor who wanted to get into producing films & had some clout to do so. That actor's name? Tim Matheson, best known for his starring role in the beloved Animal House. It wasn't easy; word has it that it took 7 years, going through 3 film studios and ELEVEN drafts of the script before Tri-Star gave it the green light. And Philip Noyce wasn't the first choice as the director, but he wound up giving this a great look and pace.

Rutger Hauer as Nick Parker is a GREAT role. Hauer has made a storied career out of being the cold, charismatic villain. You can tell he got a kick out of the part. He adds a wholesome effect, and a bit of goofiness in some places. Hauer has spoken about doing this role in the past, calling it one of his most difficult. And in an interesting bit of info, he learned how to be a blind fighter through training heavily for a month with Lynn Manning. Manning is an accomplished Black poet, playwright and world chapmion martial artist who lost his sight after being shot in the face during a bar brawl in his native Los Angeles when he was 23. His first words on meeting Hauer were, "I don't get confused about what I see.." The training paid off in Hauer's fight scenes. While they don't get too wild save for his showdown with the great Sho Kosugi as 'The Assassin'(like, really? he didn't rate a name?), they keep you riveted sure enough. The other actors keep true to character stock, especially Randall 'Tex' Cobb who by now had cemented his stature as a resident heavy in Hollywood action flicks. Blind Fury is one of those films that whenever you happen to catch it on air(much like I did waaayyyyy back in '91 on cable)you can't help but watch it. Grab a drink, some pizza and dig into this cult gem real quick. It's available on DVD and online.

RATING 3.5 OUT OF 5 DRAGON PUNCHES

Fist of Unicorn (Qi Lin Zhang, 1973)

Hello Hai! Karate fans! We give you the good, the bad and the ugly here and next up for your viewing experience is a film that might fall into a wasteland between the two categories. Why? Well that will be detailed in full as we take a look at Fist Of Unicorn!! This flick stars Siu Kei-Lung, who was commonly referred to as Unicorn Chan or Little Unicorn. You'll recognize him right off the bat from his role as the skeptical Jimmy from Bruce Lee's Return Of The Dragon. This film does have an appearance by Bruce, who was also the action director.(More on that later. Trust.)The film also boasts a rather noticeable ensemble of actors, mainly Yasuaki Kurata, Whang In Sik, Kitty Meng Chui, Tang Ti as well as a couple of interesting cameos. So, let's examine this kung-fu exploitation rarity...

Fist Of Unicorn starts out with Cripple Wu (Tang Ti) and another two villains basically keen to split some loot. Cripple Wu winds up killing off his boys thanks to his special cane chock full of blades. He then stumbles upon a family by the river who overheard his foul actions. He kills the father without any delay, and winds up trying to rape the mother. When she resists, he stabs her to death. The boy tries to fight, even when getting a slash on his hand. What does he get for his troubles? KICKED BODILY INTO THE RIVER.(Side note: I laughed uncontrollably at that. I realize it's foul but when you see it...yeah.) We then jump forward to see Lung(Unicorn) all grown up getting some sort of tattoo on his palm that's not exactly henna from a priest along with some Buddhist teachings. He then goes for his 'final lesson' from his martial arts teacher. And here is where it gets weird.

We wind up finding out that his unnamed 'teacher' who demonstrates the 'Heaven and Earth' fist technique is in fact, Bruce Lee. Or rather, a STAND IN. This is where the film just crashes and burns worse than Evel Knievel ever did. How? Well you never see his teacher's FACE. At this point in the film, at least the international print, we get an odd montage of jump cuts and a flash of Bruce Lee's face in the midst of it as 'the sell'. Then we go to MORE CREDITS that include an artistic effect meant to show the power of the 'Unicorn Palm' but just looks like the throbbing you get after a headache or someone slammed a car door on his hand. We then get into another series of outtakes that show Bruce more prominently behind the scenes. Can you say "WTF?!!"

We find Lung roaming the countryside, sleeping under bridges and such. He befriends Siu Fu (Meng Hoi)who gets his mom to hire him for their shop. As a bonus, he gets Lung to teach him some kung fu. At this moment, we find ourselves introduced to the Wong family. They are the local baddies for this picture. Ah Lung winds up crossing them, particularly Stuttering Wong(Gam Dai). This is no good, especially for business the Wongs have with the Japanese villains San Tin(Wei Pin-Ao) and Sun(Kurata). Ah Lung winds up teaming with an acrobat(Kitty Meng Chui) And of course, Cripple Wu lurks somewhere in the offing. Ah Lung has sworn to maintain his temper and not fight, but now he's pressed into having to protect the ones he cares for.

Let's face facts - this movie is probably one of the worst examples of exploitation you can find in the genre. The acting is barely okay at best, with a run-of-the-mill plot. Unicorn by this time was a veteran actor in Hong Kong, having started around the same time as Bruce Lee did. This was the source of their strong friendship, even as Lee went to the States. Outside of this role, he had some parts in Shaw Studios films and indie pictures. No doubt he was able to call in some favors, Lee being the absolute biggest as he was fresh off the success of The Big Boss. Other actors here of note are the always sniveling Wei Pin-Ao with a fascist moustache, Gam Dei who it seems mostly was the comic relief and the taekwondo 'leg fighter' extraordinaire Whang In Sik himself as a thug. Two other roles should stand out here: Ji Han Jae makes an appearance. He's best known for his role in Hapkido starring Angela Mao, which we covered here. Jackie Chan is here as well, in an extra role. You'll have to be quick to spot him. Outside of that though, the film is blah. You get a lot of stop-start action in the fight scenes. It's almost as if they had a set budget(not surprising since it was one of only three films by the Star Sea Production Company) and they weren't trying to surpass it. Exhibit A? Tang Ti not only directed but he wrote the cornball script. Exhibit B? The fake blood doesn't even look like blood, it looked like some old gravy. And Exhibit C? MORE GODAWFUL GRAPHICS. To that end, the graphics making up the 'Unicorn Palm'. Observe below:

Yeah. That's the extent of it. Now of course, this brings us back to the selling point of the film, Bruce Lee. His appearances, which last no more than a minute combined. The word is, the producers made the move to secretly film Bruce as he was helping to craft the fight choreography. Who was one of the producers? Unicorn Chan. Yep, he wasn't above using his buddy's stature to help sell films. Which is why when it went overseas, the film was entitled 'Bruce Lee and I'.(Not to be confused with Shaw's own version in 1976.)When Bruce got wise to what happened, word was he was outraged. Unicorn, to be honest, was trying his damnedest to be a bigger name. Never happened, as he would wind up in supporting roles until his untimely demise in a car accident in Kuala Lumpur, Malaysia in 1987. So what's the overall verdict on Fist Of Unicorn? If you are a person curious about such bad projects like these or that rabid of a fan, understand you can only really get through this once and Be GOOD. It's available on DVD, most likely in a discount bin near you.

RATING: 1 OUT OF 5 DRAGON PUNCHES